[Image credit: Wuthering-heights.co.uk]
Happy 200th death-i-versary, Jane Austen! I feel my high school erred in adequately prepping me to become a Jane-ite. I read not one, not two, but FIVE Shakespeare plays in the course of my high school education, yet not a single Austen or Brontë novel. Come to think of it, most of the other esteemed, literary books I read in K-12 (with a few exceptions, like the iconic Toni Morrison) were written by old and/or dead white men. Hopefully high school curriculum has diversified since then, though I wouldn’t hold my breath. Anyway, I came to love Austen in my early twenties, in addition to other fantastic writers of the 1800s such as Charlotte Brontë, the well-regarded author of Jane Eyre.
Having long been a Jane Eyre fan, I thought it only fair that I give the other famous Brontë sister, Emily, a chance and read her most famous (and only novel) to-date: Wuthering Heights.
Oh boy. I’m not sure I regret reading Wuthering Heights, but this might be one of the most messed-up books I’ve read of all time. Upon finishing the book, I actually sat silent in bed for several minutes, trying to process the gravity of all that I’d read.
Heathcliff, the leading male character and “love interest” of leading lady Catherine Earnshaw, AKA Cathy, is one of the most disturbing characters I’ve ever glimpsed on the page. And I’m a fan of the true crime genre and have read up on the likes of H.H Holmes (read Devil in the White City), so I know what I’m talking about. He is evil embodied in human form. Sure, he was abused severely as a child, and I know Brontë is trying to make a point about how our environment molds us into the terrifying adults we grow up to be, yada, yada, yada but that doesn’t make it any more enjoyable to read. Take a look at the quote below, when Heathcliff refers to his new wife, Isabella Linton, a woman he not only does not love, but hates with an intensity that shocks the senses.
“The first thing she saw me do, on coming out of the Grange, was to hang up her little dog; and when she pleaded for it, the first words I uttered were a wish that I had the hanging of every being belonging to her, except one: possibly she took that exception for herself. But no brutality disgusted her: I suppose she has an innate admiration of it, if only her precious person were secure from injury!…If she desired to go, she might: the nuisance of her presence outweighs the gratification to be derived from tormenting her!”
Now, Heathcliff hates Isabella primarily because she has the misfortune of being the wrong person. Her only crime is that she is not the only person he has ever cared about or desired in this world: his supposed soulmate and once-upon-a-time childhood friend, Catherine. Catherine similarly loves Heathcliff, for reasons I cannot fathom other than he is apparently her ‘soulmate.’ God. Now I get why all the Twilight kids used to love Wuthering Heights. Edward and Bella are the modern day version of Heathcliff and Catherine, though unfortunately, unlike their English predecessors, they do not meet an untimely death. Young adult literature would be so much better for it if they had.
[Image credit: IMDB.com]
Normally, my motto is that truth is stranger than fiction, but in the case of Wuthering Heights, I’m prepared to throw that slogan out the window. How Brontë, a sheltered clergyman’s daughter, came up with this shockingly abusive, demented character is beyond me. Moreover, she decided to pair him with Catherine, a wholly selfish young woman who had little regard for anyone’s feelings but her own. Despite loving Heathcliff, she says that marrying him would bring her status down in society, causing him to run away for three years before he returns to her — at which point, she is already married to her other childhood friend, Edward Linton (and also pregnant with his child). Most of the time she regards her husband as a nuisance, if an unfailingly kind one. Here is how she speaks to him after he rightfully criticizes his wife for receiving Heathcliff into their home:
“Have you been listening at the door, Edgar?” asked the mistress, in a tone particularly calculated to provoke her husband, implying both carelessness and contempt of his irritation.
Catherine was not merely someone who had no hope of inspiring Heathcliff to better himself, but also someone who would only impel him to give in to his most violent vices. It was a match made in hell. See how Heathcliff refers to his ‘beloved’ after he’s gotten into an altercation with her “lamb” of a husband:
“I wish you joy of the milk-blooded coward, Cathy!” said her friend. ‘I compliment you on your taste. And that is the slavering, shivering, thing you preferred to me! I would not strike him my fist, but I’d kick him with my foot, and experience considerable satisfaction. Is he weeping, or is he going to faint for fear?”
I digress. There are too many ‘Heathcliff is a sadistic asshole’ quotes for me to list them all for you.
[Image credit: IMDB.com]
But I have to give Bronte credit for creating incredibly unlikeable characters and sticking to her guns in following their miserable stories through to the end. As an aspiring novelist, I’m definitely taking notes. I mean, can you imagine the kind of shocked reception this book must have received in seventeenth-century England? I’m sure the editing world was shocked and scandalized by the “immoral” nature of the book and its inhabitants. I figure that Brontë imagined such a reaction, and so she actually initially published the book under a male pseudonym (though a lot of that was probably because discrimination against female authors was still very prevalent at the time — and still is to this day, in some literary circles).
And also, Bronte perfected the literary device of using weather and geography to mirror the turbulent human condition. Pretty sure they teach Brontë in all those fancy creative writing classes in college that I never took. Check out the great paragraph below:
“It was a very dark evening for summer: the clouds appeared inclined to thunder, and I said we had better all sit down; the approaching rain would be certain to bring him home without further trouble. However, Catherine would not be persuaded into tranquility. She kept wandering to and fro, from the gate to the door, in a state of agitation which permitted no repose; and at length took up a permanent situation on one side of the wall, near the road: where, heedless of my expostulations and the growling thunder, and the great drops that began to plash around her, she remained, calling at intervals, and then listening, and then crying outright.”
But more than the actual story, I find it interesting to read Wuthering Heights during this political climate. I know, eyeroll. “You can’t link everything to Trump!” I know you can’t, but I’m sure going to try.
Seriously though, it’s hard not to find parallels everywhere. We have a man that openly bragged about sexual assault who is now our president. Heathcliff, a violently abusive blowhard (and likely rapist), is considered in some circles to be merely a tormented, tragically romantic soul. Give me a break. There is a whole set of characters in Wuthering Heights, too many characters with the same first and last names, and a very confusing family tree that may or may bear some traces of incest (?). I’ll spare you all that, but just to know that pretty much every single one of these characters is mercilessly tormented by Heathcliff throughout the course of the book, including his own beloved’s daughter, who is also named Catherine. Heathcliff forces her to marry his son under a series of very spurious, and most likely, illegal conditions. Thankfully, Heathcliff ultimately passes into the netherworld to join his dear Cathy in death, leaving some semblance of peace for the souls who he tortured for so long on these dark and gloomy moors.
Beyond the fact that misogynistic men can rise to influential positions, whether those be in the White House or in the moors of rural England, violence against women is nothing new. But it seems like every day, I see articles on my Facebook newsfeed about women being stalked, raped, bludgeoned and killed, often by their spouses or partners. The summer before I moved to New York, three female joggers were killed in the span of a few weeks while running near their homes. I read just an article today about a woman whose ex-boyfriend progressively stalked her before hiring a third party to dump toxic acid all over her body, leaving her permanently scarred. It’s enough to make a modern lady dump all dating apps in the garbage and live the life of a solitary hermit.
Normally, I don’t mind bleak literature. Hell, the darker, the better. I’m a Game of Thrones fan, after all. But when I’m reminded day in and day out of how being a woman in this world is a frightening thing, sometimes I just need a respite from that in my literature and television. True, Heathcliff torments men and women alike. But in Wuthering Heights, the women are held captive — in one case, literally — to particularly violent fates at the hands of this tormentor. With all this being said, I’d sooner place Wuthering Heights in the horror category than the romance aisle.
For that reason — and also, because to be honest I find Emily Bronte’s writing style exhausting and dull — I’m not sure if I’ll pick up Wuthering Heights anytime soon. But what the story reveals about the depravity of the human condition — that will stick me for a long time. The soulmate thing? Ehh, not so much.
Review: 3/5 stars